![]() Dahl rarely tips his hand, never underestimates his opponents in the theater seats, and cashes in with style to burn. That's an exciting proposition for attentive moviegoers and a creative gamble for any filmmaker. ![]() We learn just enough to calculate the possibilities. Viewers won't always be able to read the actors' faces, or know exactly what cards they're holding. Right away, Dahl serves notice that he has more up his sleeve than superficial Maverick-style entertainment. ![]() The first of many poker lessons taught in John Dahl's Rounders is that showing any expression is a sure way to lose, unless it's calculated to sucker an opponent into a bad bet. Roulette and craps are prettier than cards, and we don't need to understand rules, just watch the players' expressions. Blackjack requires only simple math, so that's a popular cinematic choice. Just keep the game simple and the sets flashy. Filmmakers love the addictive nature of it, and the bustling environment of a casino or race track is always good for style points.
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